Tuesday, July 17, 2012

WE ARE MOVING!!!!!!



We have been working on this for while and we are super excited to announce the launch of our brand new website. It's been fun!  So please come visit us at our new home.

Friday, July 6, 2012

Fill Spectre - Scare Your Friends ( S/R 2012)



Wednesday, June 27, 2012

Lantern - Dream Mine (Bathetic 2012)


Jeans Wilder - Totally (Everloving 2012)


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"The 11-track set is his most realized work, packing the sounds of sunshine-y 60’s pop, toes-on-the-nose surf jangle and resin-scraping grunge.
On Totally, Jeans sparks and exhales a heavy toke of reverbed guitar, vocal harmonies and downer lyrics into your ears.
Jeans is the nom-de-plume of San Diego-based Andrew Caddick, former band member of Fantastic Magic (with Nathan Williams of Wavves and Matt Barajas of Heavy Hawaii). He has been honing his melancholic beach pop since 2008, channeling the light and darkness of America’s Finest City. With a handful of cassette and vinyl releases already under his belt, Totally is as much the next step from his celebrated Nice Trash LP as it is a huge leap forward for the lonesome drifter. Where previous releases have seen much more sparse instrumentation, Totally delivers a more fleshed out sound while bringing Caddick’s voice further into the foreground with strong delivery and melodic hooks.
The lo-fi wash and dub-like production are still part of his signature, only now Jeans is a little bit further from the shade and closer to the sand. It’s the soundtrack for a bonfire at the moment where you steal away from the others to sit and watch the tide. Somewhere between the crashing churn of the Pacific, Jeans Wilder is out there."-Everloving 


Tuesday, June 12, 2012

Wymond Miles - Under The Pale Moon (Sacred Bones 2012)



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Via Dreamcatcher Earring ;)

"Wymond’s previous EP, Earth Has Doors was about intangible and esoteric concepts; the music drifted beautifully in somewhat of an oceanic, boundless state. For the LP it was very important for him to make the songs be felt somatically. In his own words, “I wanted it to hit the body, I wanted it carnal.” Whereas the EP had been a drawn out labor of love he worked on and then shelved for several years, most songs on Under the Pale Moon developed quickly last winter. He describes them as being effortless to write, short songs with stripped down arrangements; recorded straight away as soon as they came to him. Feeling very raw and alive, he wrote the basic structure for most of the record within a few weeks.

He had the chords and melody for album standout “Singing the Ending” when last year began to take a cathartic turn. In a short span of time his closest friend was killed and he lost some family members. Without much time to deal with grief, he immediately had to tour Europe with the Fresh & Onlys for two months while still basically in shock. He became filled with an ardor for life and seeing the record through. The loss had emerged as a purifying fire and manifested not as a morose lament on tragedy but as a feverish grindstone of passion, dissent, desire, and an apolitical rebellion cry against the bondage of established order. While never overtly attempting to address his influences, the listener can hear a bit of Go-Betweens, Echo & the Bunnymen, Nick Cave, Nikki Sudden and The Cure present in his work. Miles creates a big romantic pop record reminiscent of Roxy Music at the height of their power. Under the Pale Moon is a gorgeously dramatic and romantic debut; a focused departure from his work in the Fresh & Onlys, he emerges as innovative songwriter with limitless pop potential."- Sacred Bones